The album unfolds like a sci-fi journey, moving through different phases of this human-machine interaction:
: Golding and Boyd would improvise melodies and rhythms, "feeding" these acoustic sounds directly into Luthert's electronics.
: It was produced by the Grammy-winning Hugh Padgham , known for his work with Phil Collins and The Police.
The album was recorded over three days in March 2021 at Peter Gabriel’s legendary .
While the title might suggest a commentary on the pressures of the modern music industry or social media, the actual "story" is much more literal and experimental.
: The duo was joined by honorary third member Max Luthert , who operated a "machine" consisting of modular synths, tape loops, and electronic effects.
: Luthert then captured, looped, and warped these sounds in real-time, spitting them back out as atmospheric drones or distorted textures. This created a sonic feedback loop where the human players reacted to the electronic ghosts of their own playing. Recording at Real World Studios
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