The track is built on the signature Slap House formula: a thick, bouncy bassline paired with a crisp, driving percussion.
It maintains a relentless 120-125 BPM pace, making it feel shorter and more urgent than the original. EQRIC, JOZUA, Robbe - TiK ToK
It successfully strips away the late-2000s "trash-pop" elements and replaces them with the dark, moody atmosphere prevalent in the current European EDM scene. The track is built on the signature Slap
If Kesha’s version was the sound of a messy house party at 2 AM, this cover is the sound of a high-end club or a high-intensity gym session. If Kesha’s version was the sound of a
EQRIC, JOZUA, and Robbe don't try to reinvent the wheel, but they do a fantastic job of "upcycling" a nostalgic melody for a new generation of listeners. It’s a perfect example of the or "Slap House" trend—taking a familiar pop hook and giving it enough low-end power to rattle a car trunk.
Gym playlists, night driving, and gaming montages.
The production shines during the chorus. The artists utilize a side-chained bass that creates a "pumping" sensation, making the track feel significantly more aggressive and danceable than the 2009 pop version. Atmosphere & Vibe