The use of candlelight and the intimate church setting created a spine-tingling environment that mirrored the play's ecclesiastical and political tensions.
The production was specifically designed for the church in Northampton and the candlelit Sam Wanamaker Playhouse at the Globe. King John(2015)
The 2015 production of —a co-production between Shakespeare’s Globe and Royal & Derngate —brought one of William Shakespeare’s rarely performed history plays to life during the 800th anniversary year of the Magna Carta. Directed by James Dacre , this production was noted for its "muscular and clear" storytelling and its unique musical atmosphere. Staging and Aesthetic The use of candlelight and the intimate church
Reviewers noted that the play felt particularly modern, exploring the actions of a capricious leader refusing to relinquish power and the heavy toll of "bad management and bad luck" on a nation. Production Credits Director: James Dacre Composer: Orlando Gough Directed by James Dacre , this production was
A standout feature was the score by Orlando Gough , which drew on church music, folk airs, and plainchant. This music was so integral that some reviewers described the production as "King John: The Musical," as it suffused the drama and underlined character shifts. Key Performances