Explores the transformation of a "past self" into "public property" and the bittersweet cost of that fame.
This paper by Jill Gormley (2014) explores Del Rey’s persona as a blend of Old Hollywood glamour and Gothic tragedy.
1. "Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?"
It explores how "Radio" serves as a defiant response to her early career scrutiny—specifically the transition from "Lizzy Grant" to "Lana Del Rey" and the "how do you like me now?" sentiment.
The paper places "Radio" within a "negotiated mode" of communication, where Del Rey acknowledges her role as a product for the male gaze while simultaneously pushing back against critics who labeled her "inauthentic".
This qualitative study by D. Purba (2024) analyzes the linguistic choices across the album.
Critiqued as a "bricolage" of nostalgic imagery that highlights the commodification of the artist's body and soul.
Explores the transformation of a "past self" into "public property" and the bittersweet cost of that fame.
This paper by Jill Gormley (2014) explores Del Rey’s persona as a blend of Old Hollywood glamour and Gothic tragedy.
1. "Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?"
It explores how "Radio" serves as a defiant response to her early career scrutiny—specifically the transition from "Lizzy Grant" to "Lana Del Rey" and the "how do you like me now?" sentiment.
The paper places "Radio" within a "negotiated mode" of communication, where Del Rey acknowledges her role as a product for the male gaze while simultaneously pushing back against critics who labeled her "inauthentic".
This qualitative study by D. Purba (2024) analyzes the linguistic choices across the album.
Critiqued as a "bricolage" of nostalgic imagery that highlights the commodification of the artist's body and soul.