: An evocative reflection on finding comfort in the film's total darkness. Chang describes the experience as a "coven" where viewers share a lonely but beautiful space together.
: The "climax" of the film involves a deafening storm sequence that uses sound and stroboscopic light to create a sensory "apocalypse". Sleep Has Her House
: A fascinating exploration that reinterprets the film as "science fiction," viewing it as a portrait of an Earth undergoing a slow, persistent decay into permanent nightfall. : An evocative reflection on finding comfort in
: This piece compares Barley’s work to the landscape philosophies of John Ruskin, explaining how the film distills nature into a "visual and aural language of the apocalypse". : A fascinating exploration that reinterprets the film
: Roughly 90% of the film was shot using an iPhone 6 in the landscapes of Scotland and Wales.